Monday, December 29, 2008
A day or two early, but my wish for all who read this blog to enjoy more positive experiences in this coming New Year of 2009 than the tough times we have all shared in these current days, is just as sincere today as it will be on Thursday. Happy New Year, one and all!
Friday, December 26, 2008
Saturday, December 20, 2008
Thursday, December 18, 2008
Tuesday, December 16, 2008
Here is the latest result of my current investigation into marbledom! I think this one is going to be posted in the next few days over on the 'Artists For Lyn' blog page as one of the works from the sale of which I will be donating a portion of the proceeds. The image is 6" x 4" and additional particulars will be posted with it on the other blog page.
Saturday, December 13, 2008
This special blog page, noted below and also linked from my Link list (Artists Helping Lyn), will be an ever changing series of wonderful works of art being made available by Lyn's friends who will donate a portion of, or in some cases, the total proceeds from the sale of each work to Lyn. Several works are posted now and there will be many more to come, so please take a look and come back often as new works will be added as pieces sell. This is a wonderful opportunity not only to grab a fine piece of art from some incredible artists, but to offer a helping hand to a dear friend in these tough economic times.
I will be posting some images of pieces I will be offering within the next week or so, but in the meantime, take a look at what is there now.
Friday, December 05, 2008
Wednesday, December 03, 2008
Tuesday, December 02, 2008
With the first of the Christmas discs playing away on the Bose this afternoon, I am back at the drawing board! A well deserved couple of weeks 'off' and doing other things has left me ready to get back to work. With Christmas coming up shortly, I have begun a series of small works that will wind up being little gifts for friends. This is the first of several marbles that will be easing me back into the graphite world over the next couple of weeks. This one is just about an inch and three quarters by three inches.
Friday, November 21, 2008
Wednesday, November 19, 2008
Over the last few days, I have been enjoying watching a family of robins who seem to be residing someplace nearby for the time being, maybe as they beef up for a trip further south? In any event, I have gathered some very good reference material of them. Also, today I spotted a wood pecker up in one of the old, tall trees in the yard, a bit too far away for anything usable, but nevertheless, fun to watch from the kitchen window. I had to chip away a coating of ice from the bird bath this morning, so guess that winter cold is beginning to settle in during the night, Brrrrr!
Monday, November 17, 2008
In these tough economic times, it was wonderful to see people out and enjoying themselves in the creative environment that was Easton for three days, and to those who walked away with works of art tucked under their arms, a very BIG Thank You!
Now, it is on to the next point on my fall schedule of shows, that being the Small Works Show at the Howard/Mandville Gallery in Kirkland, Washington. The show is hanging now and the draw auction will be held on November 22nd. You can view all the works in the show through the link below, and if interested in a piece, you can put in a bid with the gallery. There is a lot of fine, fine work included in this year's showing, including two works of mine, so take a look!
Friday, November 07, 2008
Encompassing venues spread throughout Easton, as seen on this map of the town . . .
. . . all two dimensional fine art is displayed at either the Tidewater Gallery (#9 on the map) or the Elks Gallery (#2 on the map and the location where my work will be seen). Sculptors are split between venues #s 4 and 5 and photography at #12. Crafts, decoys, wood carvings, antiques and other creative and sporting related items are located at all the other numbered locations on the map.
As indicated by the blue and orange lines on the map, free shuttle bus service takes visitors to all venues and parking areas. It's an exciting weekend with lots to see and do and the fall color adds just that much more to the artistic surroundings. So, if you would like to spend a couple of days or a few hours seeing some mighty fine art work, come to Easton November 14, 15 or 16!
For more information, check out this link to the Festival web site - http://www.waterfowlfestival.org/ .
In addition to the work which I will be displaying at the Elks Gallery, more of my work can be seen both during the Festival weekend and all year long at Troika Gallery which is at 9 South Harrison Street just down from the Tidewater Gallery in the heart of downtown Easton.
Thursday, November 06, 2008
Another small work, this one just over 4" square, that is a commissioned piece so won't be a part of the inventory going to the Waterfowl Festival next week. My good friend, Adele Earnshaw just posted a slew of dandy little works on her blog page (linked in my link list) and I for one, can't wait to see them in person next week in Easton. Every one of them is a little gem, so take a look!
And, don't forget that tonight is the opening and auction sale for the works included in this year's Gilcrease Museum miniature show, American Art in Miniature, mention of which was made on last Tuesday's entry here (the 28th of October). There is a link in that entry directly to the pages showing all the works included in the show with pricing. Any works not sold this evening will be available through the web site till November 16th. There are some mighty nice small, inexpensive works included in the lot, 'good deals', all!
And, on a somewhat sadder note, I received word earlier this week about a dear, dear friend and fine graphite artist, Ryan Jacque. He had a terrible accident last Saturday, falling and suffering severe trauma to his head, skull and one of his legs. The injuries were very bad and he went through some surgery over the weekend to correct breaks to his skull. He now is in an induced coma as they try to get him to recover from this trauma before more surgery is done.
Ryan has been a friend for many years and I am personally devastated at this news. At the moment, it is uncertain if he will suffer long term problems as a result of all of this and if his creative and drawing skills will be lessened in any way in the future.
For anyone reading this who knows Ryan's work or has heard me talk about this young, impressive artist in the past and who wants to know more, his family has set up a special page on his web site that they will try and update daily. This is a link to that page - http://www.ryanjacque.com/ryan.php#latest .
Be patient as a lot of people are looking in to find out the latest information and the page is loading quite slowly.
Wednesday, November 05, 2008
After voting yesterday, and while waiting for the results last night of this incredible election . . . I finished up this work, another of the smaller pieces that will go to the Waterfowl Festival a week from tomorrow. This one is just under 4" x 6" and will be with me at the Elks Gallery in Easton next week. I will be posting more information about the Festival in the next day or two for those who would like to come on down! It is always a wonderful weekend, filled with much to see and do in that historic eastern shore town.
Saturday, November 01, 2008
Wednesday, October 29, 2008
Tuesday, October 28, 2008
On Saturday, this past weekend, American Art in Miniature, in which I have a work included, opened at the Gilcrease Museum in Tulsa, OK. This year's show/sale again benefits the museum and will showcase over 200 small scale works by some of the finest artists in the country. The show is always a huge draw and I am certain that this year will be no exception.
The work can be previewed now through November 5th and on Thursday, the 6th, the sale will take place. Works not sold on that evening will be available through the museum's web site until November 16th.
Here is a link to the museum's pages showing all the works available - http://www.gilcrease.org/AAIM2008/gallery-01.html
Monday, October 27, 2008
Saturday, October 25, 2008
. . . a portrait of one of the colobus monkeys at the Philadelphia Zoo from my trip north a couple weeks ago. Now, I had seen colobus when in Tanzania in the area around Arusha Park, but they were pretty flighty and did not hang around much so trying to photograph them was not the greatest. I did manage to get about a dozen shots that were 'acceptable' on that trip and have referred to them in the past, but to be able to get up close and rather personal with the group in Philly, well that was a real treat . . . one that I think will have to be repeated next spring.
This one is going to the Watefowl Festival in just over two weeks. My, time is flying now! I have a lot left to do in the next 14 days.
Wednesday, October 22, 2008
Tuesday, October 21, 2008
Friday, October 17, 2008
Thursday, October 16, 2008
I think after these two Maine landscapes, I shall get back to some more exotic subjects, especially after a great trip north, which included a visit to the Philadelphia Zoo earlier this week. I feel 'cheetah' in my bones!
Saturday, October 11, 2008
Thursday, October 09, 2008
What is that old saying . . . 'early to bed, early to rise'? Well, I don't know about the 'early to bed' bit, but I certainly did follow that part about 'early to rise' today and as a consequence . . . here is a just completed work that was begun last night and finished up about thirty minutes ago. 'Refreshing' is a tad over 4" square and will be put aside for next month's 'big event' at the Waterfowl Festival, mid month.
Wednesday, October 08, 2008
Friday, October 03, 2008
Thursday, October 02, 2008
Tuesday, September 30, 2008
I like this little green critter .... might have to do another one!
Image size on this one is just a hair or two over 4" x 2 1/2".
Monday, September 29, 2008
Sunday, September 28, 2008
I was dismayed to read of the passing of one of my favorite movie 'STARS', Paul Newman. Unlike many others, I feel, who have had that title slid onto their heads, Mr. Newman deserved every inch of that word.
I think the very first time I saw him in a film was in Tennessee Williams' moody, Cat On A Hot Tin Roof, with another of my all time favorites, Elizabeth Taylor. Great performances in a very fine movie. If I remember it all correctly, a couple of my buddies and I wangled our way into a Saturday afternoon showing of the movie by 'padding' our ages at the ticket window! I think, if I am remembering it all the way it went down, there was an age restriction for that movie at that time. Well, anyway, I do remember what an impact that movie made on me and when I was a bit older and maybe wiser, sought out other stories by Williams, thanks in great part, to the fine, fine acting of Paul and Liz, as well as Burl Ives.
Just looking at a list, again, of all the wonderful films that Paul was in, reminds me of many memorable hours sitting in the dark of a cool movie theater on a Saturday afternoon, or Friday night.
Guys like Paul don't come along very often, in my estimation, and I guess in the estimation of many others from what is being said about him on the net. He made a damn fine spaghetti sauce too!
Saturday, September 27, 2008
Friday, September 26, 2008
Feeling a little under the weather today so not sure how much work time will be had this afternoon. I will post this little shot of the first 45 minutes of work on this new piece. I am finally getting around to making use of all that great reference material I got earlier this summer at the Maryland Zoo in Baltimore of the new baby elephant. This one is going to be a joy to do as I have not really done an elephant work in quite some time and they really are and always have been, my favorite subjects.
Thursday, September 25, 2008
Wednesday, September 24, 2008
Anyway, this is one of several smaller pieces I will be doing over the course of the next six weeks for the Festival, the image size on this one just a bit over 2" x 3 1/2". With the economic situation being what it is these days, I hope some of these smaller scale works will be appealing for many reasons, not least of which the fact that they will be in a very affordable price range at the show.
Saturday, September 20, 2008
Friday, September 19, 2008
Thursday, September 18, 2008
So with that in mind, here is the first piece up on the board . . . what seems to be some of my favorite subjects of late. No laughing cows, but maybe some jiving cows, as I have been listening to Duke Ellington most of the afternoon. Mooo!
Tuesday, September 16, 2008
The other day, I decided to park on the patio in the backyard and see if the birds would not be disturbed by my presence while they enjoyed a fresh fill of the feeders. It worked!
I wound up spending a quiet couple of hours enjoying the comings and goings and sharing the morning with the birds. I watched as a female cardinal fed seeds and such from the flat feeder to a youngster who was continuously squawking and chattering for 'more, more, more'! A pair of nuthatches darted in every once in a bit too, till they had their fill and flew off. Sparrows joined in too.
The squirrels soon arrived from every direction and one brave soul even tried to climb up one of the poles only to be stopped in his tracks by the baffle; caught in an embarrassing position, I think he sure was baffled!
It struck me as I returned to the indoors and reviewed my just snapped images just how much enjoyment I had had that morning. Thinking back, way back, to when I did my first work that included birds as subject matter, I was rather surprised at just how many works over these last ten years or so, had either had birds as the major subject focus or as a secondary focus. Considering that when I did my first piece that got into Birds in Art back in 1991, I had till that time, never done a work with a single bird in it. That first entry was done from borrowed reference material and the collectors who bought the work, were the ones who made me aware of the exhibition, which till then, I knew nothing about.
So, all these years later, here I am in what seems like every other or at least every third work, using bird reference material as major subject matter. It is interesting, to me as an artist and simply as a person, to ponder the ramifications of avian inspiration and the paths down which that material has directed me.
Let's hear it for . . . . the Birds!
Monday, September 15, 2008
Somewhere just shy of 8 years 'overdue' I guess you might say, this work is the result of a promise made to my cousin's son back when he graduated High School, that I would do a work especially for him and subject matter of his own choosing, as a graduation present. I gave him a coupon valid for a five year period for him to tell me what he wanted me to do. Well, he went off to college in Maine and I finally heard from him, after some reminders and some gentle prodding from his mom and pop, just about the time the five year coupon was to run out. He wanted 'something Maine' to remind him of his time in school there.
Well, fast forward to graduate work at the University of Maryland (just 'down the road' from where I am currently living) and I believe, the start of his third year there? Anyway, I finally have gotten around to doing this work for him and hope he will be pleased with it after such a long wait! I plan on surprising him with it some evening this week and don't think the surprise will be lost as I don't think he has ever looked at this blog page of mine.
Anyway, here is the work, spotlighting Bass Harbor Light (referenced on a typical late winter/early spring, foggy morning many years ago on a ten day trip to Maine); image size is about 13" x 10 1/2" . . .
Saturday, September 13, 2008
Birds, birds, birds, whether they be in Art, or taking a bath in my backyard, can't resist 'em.
Monday, September 08, 2008
As difficult as it is for me to believe it this morning, I have just returned from my 17th inclusion in the internationally reputed exhibition, Birds in Art. As it always is, the weekend was wonderful in many respects, not least of which the opportunity to view, first hand and up close, some phenomenal art work and to meet artists from all across the globe, both 'first timers' and those who have made the cut in years before. It's a time for those of us who are fortunate enough to have been juried in on many occasions over many years, to catch up with artist friends we may only have the opportunity to see at this one time each year.
It is always a wonderful thrill and highly anticipated moment when I walk into the galleries and catch a first glimpse of the work hanging on the walls. It is fun to leaf through the catalog, when handed our copies upon arrival in Wausau and quickly scan the pages, but the real impact, for me anyway, is always made when standing in front of the actual works at the museum. I personally, never look at the artist's name or any of the information, such as title or the work's size in the catalog when I initially scan through it. I am just really, glancing through to have an overall mind's eye image of the entire show.
And then, when we get to the museum and walk in, I always like that feeling of 'Wow!', when I see the first several works as I round the corner from the entry hall and proceed down the hall into the main galleries. As always, that 'Wow' factor hit hard upon seeing the first five works and just got stronger and stronger as I moved further into the galleries.
This year's honoree as Master Artist was James Morgan. I have admired Jim's work over the years and was blown away by the small assemblage of 15 of his works that were spotlighted in the Master's Gallery, which included four lovely graphite studies. On Saturday morning during the public presentation of the Master's medal to Jim and his subsequent slide-show enhanced talk about himself and his work, we were all treated to Jim's wonderful, droll sense of humor.
As I sat there and listened to Jim speak, talking about how he, as an artist, viewed the world and quoting from some of his favorite statements from other artists and writers, I was, as I have frequently been over the years of listening to the Master honorees in the past, taken by how much of what Jim was saying bore on me personally; how his view of the world was quite similar to my view of it. I guess we artists are a pretty connected group, even with our diversities of style and medium and how we translate what is inside of us for others to see, there still is that strong link and intense need to put down on paper or canvas or in three dimensions, what makes us tingle with joy, what excites us, what little details that others tend to overlook, catch our eyes.
So, with those observations in mind, here follows a series of images from the weekend. Enjoy!
These first couple of images show three more of Jim's refined, reflective and refreshing works . . . followed by an image of Jim (to the left) conversing with artist, Ed Aldrich.
And here is Ed's beautiful painting of a pair of Trumpeter swans . . .
Larry Barth, 1991's Master honoree, is quite something when it comes to carving. This amazing work, all in basswood, shows just how impressive a Master Larry is. I know it is a bit hard to see the extent to which the branch extends out from his background in this image but this overall view gives a good indication of his abilities. The bird is life size, as are the indications of ferns. Or, are those real ferns?
In this next shot, Frenchman, Henry Bismuth is being interviewed by the local TV station. Henry stands before his wonderful raven work. In the six years that Henry has been juried into the exhibition, he has always submitted a work depicting ravens. Is it any wonder he dresses in black?
This next work by Nobuko Kumasaka, is a wonder. Her work is a woodburned panel depicting a Shoebill, appropriately titled, 'My Name is Bill'! This was Nobuko's second visit to Wausau, having been juried in last year as well with another amazing woodburned image.
Next, Colorado based bronze sculptor, Rosetta, poses near her work, 'Heron Rising'. She stands before, on the left, a lovely work by German, Eugen Kisslemann and to its right, a lovely, soft and quite appealing work of a white heron by Kim Donaldson. In the background stand Maryland sculptor, Paul Rhymer, a 'first timer' at the museum and with his back to the camera, Wes Hyde, another Coloradoan and one mean croquet player as I discovered on Saturday afternoon.
This view above, from the circular staircase that leads from the upper galleries to the lower, shows the range of both two and three dimensional works that go to make up this grouping of the exhibition. As these images were all shot on Friday afternoon, at the artists' only gathering, the crush and crowds of later that evening at the Grand Opening and that of the Saturday morning Public Opening, were not apparent.
In this shot, taken of the four works suspended on the circular wall at the staircase, can be seen, from left to right, works by Brit, Alan Hunt, New Englander, John Pitcher, Peter Gray of South Africa and last but not least, a gorgeous rendering of a Red-Winged Blackbird by Marylander, Mae Rash.
Here is a wonderful, bright, graphic Loon painted by Sedona, Arizona artist, Cathy Gazda. This image was one of several that the museum chose to use on posters for the exhibition as well as in National advertising and I can understand why with the very clean, graphic nature of the work. And, nudging in from the left margin of this image, we can just see Rod Lawrence's reading of a Black-Crowned Night-Heron.
In this following work by another 'first timer', Arlene Rheinish, with whom I enjoyed the Friday Artists' Lunch, she has defined her vision of the Black-Crowned Night-Heron and in a most interesting compositional way, I have to say. Now, why didn't I think of that sort of composition? Good for you, Arlene and congrats on your first participation in this event!
Robert Bateman, the 1982 recipient of the Master Award, stunned everyone and caused quite a sensation with the above, 4 foot square, graphite on canvas rendering of two Blue Herons. It really knocked my socks off!
Below, Bob chats with another 'first timer' from North Carolina, David Simpson. And behind those two, 1993 Master recipient, Dino Paravano admires the exhibition. It was good to see Dino as he has not attended the opening weekend for a number of years.
In the shot below is, front and center, sculptor friend, Don Rambadt's quirky and delightful Ground Hornbill. I never cease to amaze at how Don manages to pick and choose the most obvious scraps of metal for his terrific one-of-a-kind pieces. Behind Don's work is a piece by another fine artist friend, Ohioan, Mark Eberhard. In his work, cheered by both artists and the general public crowd alike, Mark has dramatically brought to light the plight of six endangered species of bird in his unusual, graphic, direct, most creative and inviting style. By dispersing his subjects at the very fringes of his canvas, Mark has, without question, shown the precarious nature of these feathered creatures.
Above, is one of my favorite three dimensional works from the exhibition, this Rudy Duck by Oregonian, Stefan Savides. I had an interesting chat with Stefan on one of our many to and from bus rides back and forth from museum to hotel.
And here again, Bob Bateman converses with a small group, including his lovely wife, Birgit standing just behind the head of the pelican sculpture. To the left stand 'first timer', Kim Middleton of Washington State, her husband and Kelly Singleton of Maryland, attending her second Birds in Art opening weekend. The nice bronze Pelican in the foreground is by Loveland, Colorado sculptor, Dan Ostermiller.
This next work, by Sedona, Arizona friend, Adele Earnshaw, shows how quite a few of this year's artists (including myself) made use of the square format in composition; one that, as I have mentioned many times in postings on this blog before, is not that easy to work within. Adele does it here, with apparent ease and grace. This truly was one of the works in my 'Top Ten' list!
This work above, by friend and fellow graphite artist, Cole Johnson hung two works away from mine in the gallery and I was pleased to be able to catch up with Cole and his lovely wife, Mary, having not seen them for a number of years. This work had double appeal to me, as not only was it one of Cole's best efforts, I felt, but it was also from the personal collection of sculptor friend, Don Rambadt, mentioned above.
This next, glorious riot of color in pastel, was by Floridian and friend, Janet Heaton. It just shimmered and glowed against that great peach colored wall panel behind.
Jeremy Paul from the Isle of Man, painted this beautiful piece, above, very appealing to me and many others as well, but especially to me because I also had a fun time doing a lace curtain in my work that was a part of this year's exhibition.
This next work by Californian, Randal Dutra, was another of the works on my list of fav's. Randy is a true master of rendering ethereal and quite evocative scenes and his landscapes just make me want to walk into them and get lost within their subtleties.
These two works, above and hanging side by side, represent another two of my very 'Top Ten'. On the left a gorgeous gem of a work by Peter Baedita of Florida. Of course, being a graphite work, I was instantly drawn into it. Once I stood and let myself be totally absorbed in his work, though, I marveled at Peter's softness of line and simplicity of composition. Yet the work held so much more for me as a fellow graphite guy. Kudos, Peter! The work to the right by James Offeman, another of the 'first timers', breathed with so much life and depth and strength, it was hard for me to imagine someone being able to capture that much intensity and evoke so much emotion in me through the medium of pastel. Kudos to you too, James!
And with a final flush of fond memories of the weekend just past, here is a nice overall shot of the main gallery with fellow Marylander, Paul Rhymer's delightful hippo and Purple Gallinule taking center stage.